In Chromatic Endocytosis,  seek to articulate curiosity between the pictorial and the sculptural. It is part of the research to study the transit between the two languages ​​and, in this installation, made up of 16 pieces of wood covered with fabric, paints and resins, the composition presents the sensation of impasto, fluidity and chromatic changes. In the search for the spiritual in art and the genesis of things, “painting” is fragmented so that in this composition, the forms leave the two-dimensional plane and occupy the space without failing to connect. Bringing up the organic sensation of movement and showing that color can be volume and painting can also be three-dimensional, both living harmoniously in the same universe.